My trusty Tama To needs sharpening after the completion of my latest prints. (For new readers, this is a fabulous tool that cuts small circles in wood or linoleum.) Like my last huge square cellular print, I decided to run two different color series, and the result is two very different prints.
Elizabeth Busey. Ambrosia. Linoleum Reduction Print, Edition of 13, (28 x 28in), 2013. |
The block itself was inspired by the cellular structure of hardwood stems, in this case, the American Sycamore — also known as a planetree. The pattern is rather simple, so I wanted color to be the focus of these prints. In Ambrosia, I was inspired by a Mark Rothko color field painting owned by the Art Institute of Chicago. Standing before it in chilly March, all I could think about was eating a tangerine, with the juice running down my chin. Rothko didn’t seem to be inspired by this however, as he called his painting Untitled 1953-54. I always feel that a boring title is a missed opportunity to connect with the viewer.
Elizabeth Busey. Planetree of St. Stephan. Linoleum Reduction Print. Edition of 13, (28 x 28in), 2013. |
I used to stand before the creations of color field painters like Rothko and wonder — why is this art? Why is this hanging in a prominent museum? Perhaps these artists are asking you to set aside themes, realism, pattern, and just experience the color.
What color moves you?
These are both very beautiful prints. I am also intrigued by the Tama To tool you mention – I must look it up!
Hi Lisa,
I love my Tama To, although I am now faced with sharpening it!
You can find them at McClain's (imcclains.com).
Elizabeth