Stained-glass that is made of paper

What if you have artwork with the brightness of stained-glass on an interior wall? And what if it could be made with lightweight paper instead of heavy glass? My monoprint collage Cosmos has the look of a modern stained-glass window, with blues and oranges that make me think of Marc Chagall.

Vertical monoprint collage globe transformation blues orange stained glass cyanotype vintage maps Elizabeth Busey 36 x 24 inch
Cosmos. Monoprint collage with cyanotypes and vintage maps, 36 x 24 in, $900 ($1,300 framed)

This collage was inspired by stained-glass.

To create Cosmos, I modified a huge 36 x 24  inch monoprint plate I had used for other collages. I took away half of the lines, allowing large pieces of my collage elements to be viewed. I limited myself to three tones of blue, plus some white and a hint of orange. The pattern is a global projection that is usually viewed horizontally, but I decided to place it vertically, as with most stained-glass windows.

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Bright, colorful art brings energy and positivity to any space

Color can make an entire space. Warmer, brighter colors can create an atmosphere of energy and positivity. Here’s what my friend Mary said about how my reduction linocut has transformed her eat-in kitchen.

I loved Ambrosia from the moment I saw it in Elizabeth’s studio. From near and far, the intricate organic patterns are arresting, and imagining them emerging from drawing to block to inked print is deeply satisfying to me. Elizabeth conspired with my husband to surprise me with my heart’s desire on my birthday. Rain or shine, it’s a bright citrusy splash of sunshine in my kitchen, and while I don’t believe art has to match your decor, I did choose my paint color to set it off.

Ambrosia, a large reduction linocut, brightens my friend Mary’s cheerful eat-in kitchen.
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Art Transforms a Home Office

How can art help create an office?  Like many people, my daughter has found herself working out of a room that was never intended to be an office.  I recently asked her to describe the effect some new artwork had on her workspace. Here is what she wrote:

“I hung this piece earlier this summer after I had been working from home for several months. While I am so thankful to be gainfully employed during a global pandemic, transitioning to working full time at home and converting my small DC bedroom into my office was incredibly hard on my mental health. I missed my morning office routine, greeting my colleagues, and feeling productive and centered as I set down my coffee and sat down to work. To make matters worse, I didn’t know when it will be safe for me to travel to see my parents again, making the feelings of isolation even more noticeable…

Vertical-monoprint-collage-home-office
After the Torrent graces my daughter Hannah’s bedroom office.
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Coaxing inspiring art out of the weeds

Resilience. One of those watchwords for the year 2020. Staying at home for me meant creating cyanotypes, often with whatever was around. So I had to coax my inspirations out of my nemesis — the ground cover weed Creeping Charlie. In the Midwest, this European transplant is definitely resilient.

Vertical monoprint collage reflections skyscraper building sunrise plants cyanotype vintage maps Elizabeth Busey 24 x 18 inch
Resilience at Daybreak. Monoprint collage with cyanotypes and vintage maps, 24 x 18in, $600 ($770 framed.)
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Art Awakens Memories

Travel can be limited these days. Thankfully, art awakens memories. My latest monoprint collage series considers reflecting memories. I use a matrix that evokes the shape of skyscraper buildings with numerous windows to create artwork that encourages memory of other places and times.

Vertical monoprint collage reflections skyscraper building pinks blush sunrise cyanotype vintage maps Elizabeth Busey 24 x 18 inch
After the Torrent. Monoprint collage with cyanotypes. 24 x 18 in.
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Art for when you can’t travel

Can’t travel this summer? Art can have a transformative effect on your surroundings and therefore your mental health. Remembering past travels or dreaming about future trips can lift your mood and brighten your day. My latest suite of monoprint collages considers the beautiful destinations of our world and captures them along with patterns in nature, thanks to images I’ve taken on past travels.

Fibonacci pattern monoprint collage with cyanotypes and vintage maps of England by Elizabeth Busey. 18 x 18 inch. Prussian blues oranges nature patterns
Lucent. Monoprint Collage. 18 x 18in. $475 ($575 framed)
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Delight (and printing) from the sun

Cyanotype of maple leaves moving dries and darkens on a retaining wall.

2020 has been dark, so whenever we have bright sunshine, my heart lifts. When a clear day is forecast, I burst into action to capture art from the sun. I quickly sensitize paper in a windowless bathroom with only a 40 watt incandescent bulb to see by. Images are  most brilliant when you make your exposures within 24 hours of sensitizing the paper, so planning is critical.

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Creation as Meditation

“This is my song, Oh God of all the nations,
A song of peace for lands afar and mine.
This is my home, the country where my heart is;
Here are my hopes, my dreams, my sacred shrine.
But other hearts in other lands are beating,
With hopes and dreams as true and high as mine.

My country’s skies are bluer than the ocean,
And sunlight beams on cloverleaf and pine.
But other lands have sunlight too and clover,
And skies are everywhere as blue as mine.
Oh hear my song, oh God of all the nations,
A song of peace for their land and for mine.”

This is My Song
Lyrics by Lloyd Stone (with a third stanza by Georgia Harkness)
Sung to the tune Finlandia from a tone poem by Jean Sibelius
©Elizabeth Busey. This is my song. Monoprint collage, 12 x 12 in. ($350, $450 framed)
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Creating amidst crises

Creating amidst crises can either be cathartic or impossible. My crises actually started before the current novel coronavirus. In early February, my husband was suddenly diagnosed with a brain tumor, and within a week he had surgery to have it removed. Rare, but benign, I guess you could say we won the brain tumor lottery. Could I create anything during a month of worry and caregiving. Not at all.

Getting your creative groove back is something I have spent some time considering. Read some suggestions here. A month after his surgery, I spent time looking at old work in my flat files, and came across a multiple block woodcut I created while a student at Indiana University in 2009. Our prompt was another worrying pandemic — the novel H1N1 virus, nicknamed Bird Flu

Goose Girl in the Time of Flu. Multiple block woodcut, 18 x 18in approx.
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Seeing Vija Celmins Up Close

Some work just demands to be viewed up close — especially the work of Vija Celmins. I was able to see a retrospective of her work at The Met Breuer in New York City recently. Numerous guards looked nervous as I surveyed her drawings and prints closely. 

Vija Celmins. Untitled (Cassiopeia), 1973, Graphite on acrylic ground on paper.
NOTE: Teal dots were caused by light reflecting on the glass.
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