Inspired by the Chroma

My trusty Tama To needs sharpening after the completion of my latest prints. (For new readers, this is a fabulous tool that cuts small circles in wood or linoleum.) Like my last huge square cellular print, I decided to run two different color series, and the result is two very different prints.

Elizabeth Busey. Ambrosia. Linoleum Reduction Print,
Edition of 13, (28 x 28in), 2013.

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Obsession, or Printmaking as a Coping Mechanism

Things at my house are in a state of upheaval. For the most part, positive changes are happening, and since my house and studio are intrinsically intermeshed, I am constantly surrounded by emotions and preparations. None of these changes involve me directly, so my job is to be present. When I have to center myself and be present — especially when I have little control over the situation — I draw circles.

Circle drawing from a long committee meeting.

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