Trying Something New is Necessary

For creative people, trying something new can be absolutely necessary. And tremendously difficult. Perhaps you are one who can keep creating similar works with similar themes, but I am not. Following my “what if” questions down rabbit holes is what keeps me creating artwork instead of more regular and lucrative endeavors.

When to ignore that voice

I have had several conversations with artists lately who mention a new direction, but then quickly follow this with “but it is not what I DO.” This is one of the comments that I try to reject when it comes up in my subconscious, and this summer it has been a frequent visitor…

If you had met me up until July of this year, I would have told you that I was a printmaker who made large-scale linocut reductions. Period. I have occasionally printed on stained silk, all the while wondering if this was “allowed.” Part of this thinking comes from the rules and regulations of shows and festivals. I understand the need for boundaries, but mostly I think these constraints lead to limited art.

Following the idea no matter what…

I remember my first day at a monoprinting workshop at Penland School of Crafts where I told a fellow classmate that I just didn’t understand collage. It wasn’t what I do… A few days later, I felt compelled to collage elements onto a monoprint I had created that didn’t feel finished. Silencing my “rules” voice, I began and haven’t looked back. Now I can’t wait to get back to my latest monoprint collage. My drawing table in the main room of our home is continually surrounded by bits of cut paper. Thankfully my family is tolerant, and the cats love sitting on the papers.

Paper cut out shapes

Cut-outs of the cut-outs waiting to be included in some new creation.

What is something that you are dying to try? Do you have a voice that says, for example — “no I’m a painter, I don’t work three dimensionally?”

Thanks Henri!

I visited the National Gallery of Art’s East Wing (Washington, DC) recently and was delighted to find that the tower with Henri Matisse’s paper cut-outs was open. (The tower has limited hours in the middle of the day to protect the paper, but is well worth planning to see.) I have visited Matisse’s works since the museum opened in 1973. I even had a reproduction of Large Decoration with Masks (Henri Matisse, 1953) on my childhood bedroom wall.

Henri Matisse Large Decoration with Masks

Henri Matisse. Large Decoration with Masks. Gouache on paper, cut and pasted on white paper, mounted on canvas, 1953. National Gallery of Art, East Wing, Washington DC.

Matisse was a painter and sculptor throughout the majority of his life. He did use paper cut-outs as templates for larger scenery commissions, but it was after a cancer surgery in 1941 that he fully embraced paper cut-outs as a complete art form. Imagine how he must have felt to be confined to bed or a chair, unable to physically do the work that had defined his life. Under his direction, assistants created brightly-hued gouache-covered papers that he then cut into the shapes that are now so obviously his. Little did I know that forty-five years after seeing his cut-outs, I would give myself permission to create with paper myself.

Thankfully, Matisse ignored whatever critical voices he might have had (from himself or others.)

Is there something that has been calling you?
Why not just do it? Share it with us as a comment!
It may make all the difference.

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