Tag Archives: Yvonne Jacquette

What is a diptych anyway?

If one is good, two must be better. My latest linocut, Iridescent Argosy, is comprised of two 24 x 13in blocks that are intended to be framed separately, but be hung close together to create one display. This is my version of a contemporary diptych.

Two panel linocut of brilliantly colored cumulus cloud.

©Elizabeth Busey. Iridescent Argosy. Reduction linocut diptych. 24 x 13in (each block), ed of 12, $600 set.

The origins of the diptych begin in antiquity, when lesson books were two wax-coated plates linked with a hinge. Later, low relief artwork that was related in topic was used. In the Middle Ages, clergy began using this format, allowing for the safe transport of icons. Several famous altar pieces are actually three joined panels, or a triptych. In these examples, one side was related to the other, but each side could also stand alone.

A modern version of the diptych

My interest in the diptych was inspired by printmaker and painter Yvonne Jacquette. (Follow this link to see a 2016 interview with the artist.) In her woodcut Hudson River Diptych, Jacquette uses two blocks slightly separated to show the expanse of a harbor scene. For me, this artistic choice emphasizes the vastness of the subject, and also gives the feeling of gazing through a window into a different world.

Using two blocks is also logistically helpful in some ways. Smaller blocks are easier on my hands and elbows, and smaller paper and framing materials are less expensive. But I’m mostly drawn to the notion that this image was just too expansive to be contained within one frame.

And now I can spell diptych…

 

Share

Perspective is everything

Perspective is everything. I’m not just talking about two or three point perspective here, but also the question of “Why do you do what you do?” What is your motivation? This is a question ask of every linocut I undertake.

Using my imaginary view finder

In all of my linocuts, I take a subject matter that is familiar and try to look at it through a different view finder. Take your thumbs and pointer fingers into L-shapes and make a square. When you crop the scene, how does it change your experience of the subject matter?  I am most struck by how I experience topography, especially when viewed through the window of an airplane.

mountains-right-wing

View of mountains on my way to Portland, Oregon.

(more…)

Share