Gentle readers, please hear my confession. I am a greedy printmaker… Here is my story:
One of the biggest challenges for me in printmaking is getting the block and the paper to line up the same way each time. Printmakers call it registration. Even 1/16th of an inch off can make the print look blurry and the edges show the raw colors I have been using rather than the gentle color blends.
Registration has plagued many printmakers, even Picasso. If you look at his Bust of a Woman (after Cranach, 1958) you can see his problems with registering a six-block linocut. He nearly abandoned linocuts, but learned from printmaker Amera about the technique of reduction printmaking. After that, his registration improved. But it is interesting that his first attempt, even with the misregistration, is highly valued. Not so for me. Continue reading “The curse of the greedy printmaker”