Thinking backwards is what reduction printmaking is all about. Carve away what you want to leave exposed on the paper. My current subject — clouds — takes this challenging way of thinking to an entirely new level.
I started this new linocut using the graphite tracing paper guide I created in my last blog. (Click here to read about that first.) After transferring the marks, I used my Foredom drill with engraving bits to remove the places in the clouds that I wanted to stay the white of the Rives BFK paper.