A few blogs ago I shared some images of the altocumulus undulatus clouds I snapped early one morning. While I loved the shape of these clouds, I don’t find their white to light blue coloring terribly compelling in an artistic sense. As I mentioned in my last blog, I was steered toward the blue greens when printing over orange and yellow. The final result is Harbinger in Teal.
Elizabeth Busey, Harbinger in Teal, Reduction Linocut, 18 x 28 in, edition of 24, $450.
Altocumulus undulatus clouds result from wind shear — an abrupt speed or directional shift that signals a change in the weather. Where I live, a weather change is often brought about by violent storms, and some people link strong storms with blue green clouds. So I embraced my uniquely colored clouds as an illustration of how the world feels to me at times.
Things are unsettled, changes may be coming, and it is not clear if they will be disastrous, or merely different. All we can do is watch the clouds, and hang on.
Hanging on while looking for hope
I took a break from the studio recently to visit Asheville, North Carolina and the surrounding countryside. With the radio turned off and a ban on reading the New York Times on my phone, I was able to capture some images that I found hopeful…
Hope really is an action, not just an emotion. Continuing to be hopeful in the face of the alternatives takes perseverance.
Keep looking for hope, and if you find some, please share it. The world needs lots of hope.
In creating art, sometimes the materials dictate the direction of the work. In my latest linocut of rhythmic altocumulus undulatus clouds, my vision was for a glowing orange sky. I did not see the entire work as orange, but rather transitioning to some sort of blue. Herein lay the challenge and the realization that I was not in control.
Teal skies are the result of printing blue over orange.
One color determines the next
Even when I mixed my purply blue with some white, when I printed over my orange, I got a teal. But as I stared and pondered my perceived problem, I was reminded of the colors of my mother’s opal ring… colors that I enjoy.
Fiery opals contain some of my favorite colors.
So I decided to keep the teal green skies — as I had no choice in the matter. If Toulouse Lautrec can give people green faces, or Marc Chagall can make blue horses fly, why couldn’t I have green clouds?
Green clouds actually do exist
When I am printing blend rolls in my clouds, I am fastidious in preventing the yellows and the blues from mixing. This would usually result in a strange spring green. But my blueish green clouds are actually a real weather phenomenon. Meteorologists disagree about the causes of these green clouds. Some hypothesize that it is the result of sunlight refracting through hail in the clouds. Others suggest that it is the leading yellow sunlight shining on storm clouds. Sometimes green clouds are seen with severe weather, and sometimes not.
For now, I will embrace the opalescent teals of these clouds and print a few more layers to complete the work. It is spring in the midwestern United States, so I will also be listening for the sirens and looking for green clouds.