Clouds — my current fascination — are natural phenomena that are very difficult to sketch with any detail. They move, and your perspective changes each time you look up at the cloud and then down to your paper. My latest linocut planning makes use of a photograph I took with my Iphone and this artist’s secret tool — tracing paper.
Like many creative endeavors, preparation for relief printmaking can take a significant amount of time. Unlike the spontaneity of watercolor, where the wet brush can immediately touch the pre-prepared watercolor block, beginning something new in my studio can take days.
THE IDEA: I need to have some idea of what I’m creating before I can begin. My smaller sketchbook drawings are copied and enlarged on a FedEx blueprint machine. A large tracing paper guide is made by tracing and adapting my enlarged drawing with an 8B pencil. There isn’t a way to draw permanently on the block, so this guide will be used to show me where to carve for each color layer.