I don’t know how Thomas Edison did it. Popular lore claims that he discovered 1000 ways to not create a light bulb before he achieved illumination. I’ve been experimenting with encaustic printmaking this fall, and while I have learned a great deal…let’s just say that I have not achieved my light bulb.
I received some nice news this week that one of my favorite prints, Breath Intertwined (a close-up view of two red bud leaves) was accepted as part of the 2015 Delta National Small Prints Exhibition. This print went to Boston last fall, and is currently at the 57th Mid-States Art Exhibition in Evansville, IN. I thoroughly enjoyed creating this print, and this encouraged me to do another up-close leaf print.
|Selfie with me and two layers of ink
Continue reading “A new leaf…on life and art”
When I describe my printing process to non-printmakers, I often stress that because I am using only one block, if I make a mistake or I don’t like something, I can’t go back. In truth, there are many times when I don’t like something, but I just continue and see if another color layer can make it look different.
I’m working on a new print that has clouds. I had originally wanted to carve the clouds in a sort of engraving style, where you could see my carving marks. Kind of like Gustave Baumann’s Malapi. Sadly I didn’t achieve this, as my clouds looked more like a dust-up of cute cottontails. But I couldn’t go back, so I began to carve the block for the next layer…and I carved away the wrong area.
Continue reading “Blessings of a do-over”