Tag Archives: patience

Playing the waiting game

I’m a big fan of the montage — a device in movies used to move the story along. The characters grow, change and learn, all while accompanied by a great soundtrack. I need this for my studio. I am back printing my large (25 x 40 inch block) linocut, and patience has been required at every turn.

waiting game

My latest linocut, hanging to dry after a trying printing session.

My image is a large cloud formation, over a small area of flat land. I couldn’t decide whether this was summer or autumn land, so I did some of each. With such a large block, I would hate to guess wrong. I used a frisket (or a mask for non-printers) to help me lay down some of the bright colors of the land which will contrast with the darker, more monochromatic clouds. This is not an exact process, as I discovered when I printed the first layer of blue. My measurements must have been off, because it overlapped the land in a small band!

My initial reaction was to try and carve away a┬áthin strip or linoleum, but this a dangerous operation. I could carve away too much, and would then be left with an inexplicable slice of exposed white paper. Like a very itchy insect bite, I had to tell myself, don’t touch! This area will be covered by the darkest ink anyway.

More problems came as I printed the first and second layers of transparent blue. There is something about the combination of lots of transparent base and just a touch of pigment that leads to a gummy residue on the block. After every four prints, I had to clean off the block to prevent this residue pattern from transferring onto my paper. I have found that the first transparent layers of a linocut often look terrible, but are incorporated into later layers with no trouble. Again — don’t touch and don’t fret!

Wouldn’t a fast forward button and a great soundtrack be perfect right now?

Share

Blessings of a do-over

When I describe my printing process to non-printmakers, I often stress that because I am using only one block, if I make a mistake or I don’t like something, I can’t go back. In truth, there are many times when I don’t like something, but I just continue and see if another color layer can make it look different.

I’m working on a new print that has clouds. I had originally wanted to carve the clouds in a sort of engraving style, where you could see my carving marks. Kind of like Gustave Baumann’s Malapi.┬áSadly I didn’t achieve this, as my clouds looked more like a dust-up of cute cottontails. But I couldn’t go back, so I began to carve the block for the next layer…and I carved away the wrong area.

(more…)

Share