Tag Archives: Indianapolis Museum of Art

Artist writes about herself

April is a month of exhibits for me. My solo show “Ephemeral and Enduring” at the Ivy Tech John Waldron Arts Center features my cloudscapes and landscapes. One of my cloudscapes — Cantata for Eventide — was accepted as part of the Indiana Artists Annual Exhibition at the Indianapolis Museum of Art.

The dreaded artist statement

All of this exhibiting requires not only artwork, but also words. For the solo show, I needed to write an artist statement to explain why in the world I made these massive linocuts. As a rule, I find artist statements an exercise in hyperbole where the reader feels inadequate to even be viewing the artwork.

Five cloudscapes and landscapes from Ivy Tech John Waldron show.

Five of fifteen cloudscapes and landscapes create a peaceful, contemplative exhibit at the Ivy Tech John Waldron Arts Center.

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An Afternoon with Gustave

I took a break from my studio routine recently to visit the Indianapolis Museum of Art’s exhibit entitled Gustave Baumann: German Craftsman — American Artist. Baumann actually began his career printing the landscape right near where I live. He joined painter T.C. Steele in Brown County, Indiana carving and printing the hills, forests, fields and quaint rural buildings. Baumann’s relocations and travels truly informed his work — from the browns and oranges of a midwestern fall, to the blues and purples of the Pacific Ocean.

gustave baumann valle grande

Gustave Baumann (American, 1881-1971) Valle Grande, 1939. Color woodblock print, 12 3/4 x 12 3/4 in.

Each period in Baumann’s career was covered extensively in this exhibit. I was most drawn to some of his later work from the mountain west, where he uses brilliant greens, yellows and purples in dramatic ways. Baumann used multiple blocks to create his imagery, and the resulting color combinations are spectacular. It makes me wonder if I should use a few more blocks! (more…)

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What if the canvas was blank?

In preparation for my upcoming show and Open Studios, I’ve spent the better part of the spring in my basement printing and thinking. My latest linocut, Evanescence, considers a land form that is both beautiful and under threat — the river delta.
Reduction linocut of River Delta
Elizabeth Busey, Evanescence, Reduction Linocut, Edition of 10, 28in diameter, $550 unframed.

River deltas are wetlands that carry and deposit sediment into a particular mostly triangular shape. Like other wetlands, they are very important to both people and wildlife. River deltas provide protection from storms, filter run-off, and contain food and other resources.

River deltas don’t just happen anywhere. Strong tides or wave actions from the body of water that they meet prevent many from forming. Many river deltas are sinking because of human activity. Dams and other water control measures change the delicate balance between sediment and water flow. Removal of deltas’ water, oil and natural gas resources are causing their elevations to change. Imagine if these lacy fans vanished into the oceans — leaving places like Bangladesh, Louisiana and the Pearl River in China vulnerable. An estimated 500 million people live on river deltas.

It is a puzzle to me how visual artists can illustrate the lack of something. White canvases a la Robert Rauschenberg? What is the visual equivalent of Rachel Carson’s Silent Spring?

Questions like these were on my mind as I spent an afternoon recently at the Indianapolis Museum of Art. On the top floor I came across a mixed media installation by Mark Dion and his studio team. Harbingers of the Fifth Season is comprised of an artist/naturalist’s desk complete with materials. Detailed watercolors on cork board illustrate the many invasive species that have been introduced to new habitats and subsequently damaged existing ecosystems. On the reverse, three chalkboards chronicle the ever-growing list of extinct species.

Mark Dion, Harbingers of the Fifth Season, Mixed Media Installation, 2014.
Invasive species are chronicled in naturalist’s watercolor sketches.

 

Reverse of Mark Dion’s Harbingers of the Fifth Season, 2014.
Extinct species are handwritten on three large chalkboards.

The installation is calm and quiet, belying the real pressure that invasive species are placing on ecosystems around the world. How much can one artist’s work do, sequestered on the top floor of a medium-sized city’s art museum?

Time to reread Silent Spring and try to discover Rachel Carson’s secret.

If you are anywhere near Bloomington, Indiana please consider joining me for:

•   Considering the Beloved   •
Bloomington Convention Center Art Gallery
302 S. College Ave, Bloomington IN
June 5 –
July 27, 2015
Opening
Reception, Friday June 5, from 5pm – 8pm
Hors
d’oeuvres, wine & performance by guitarist Atanas Tvetkov

Bloomington Open Studios Tour   •
Join me in my printmaking studio
4324 E Beacon Ct, Bloomington IN
Saturday,
June 6 (10am – 6pm) and Sunday, June 7 (10am – 4pm)
See new
work, enjoy refreshments and try your hand at printing.

 

Visit
BloomingtonOpenStudiosTour.com to plan your entire tour.
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Women provide the inspiration

“Free the Women Artists” cries a poster from The Guerrilla Girls.  The poster demands that the artistic work of women, now locked in museums’ storage areas, be released to see the light of day.

I’ve been metaphorically locked in my house for about two weeks, taking time off from my role as printmaker to put on my mothering and caregiving caps. Worry, lack of sleep and many hours watching almost all of the Harry Potter movies kept me from creating in my studio. With everyone recovered, I knew I needed some artistic refreshment.

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Inspiration Everywhere

I haven’t posted new prints for a while, because I have been working on four at once.  I am scheduled to have a show in the main gallery of the IVY Tech John Waldron Arts Center in December.  After a recent visit I realized that there is a great deal of wall space!  The more layers of ink that I use on each print, the longer that print takes to dry.  So I’m alternating between four.

While this is very productive, I’m not finding this process has the same level of experimentation that I enjoy.  So I’ve been looking for other areas of inspiration — and I’ve found them.

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