Like many creative endeavors, preparation for relief printmaking can take a significant amount of time. Unlike the spontaneity of watercolor, where the wet brush can immediately touch the pre-prepared watercolor block, beginning something new in my studio can take days.
THE IDEA: I need to have some idea of what I’m creating before I can begin. My smaller sketchbook drawings are copied and enlarged on a FedEx blueprint machine. A large tracing paper guide is made by tracing and adapting my enlarged drawing with an 8B pencil. There isn’t a way to draw permanently on the block, so this guide will be used to show me where to carve for each color layer.