Patterns ground me

Patterns ground me. I’ve tried to make work that had nothing to do with patterns, and it didn’t feel like me. In the midst of midterm election shenanigans in the U.S., working with the Voronoi diagrams has provided me with times of peaceful creation and discovery.

A change in color hints at leaves

Geometric collage leaf structure
©Elizabeth Busey. Multiplicative. Monoprint collage (unique) 12 x 12in.

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The completion of a temperamental linocut

Vexing. This an apt description of the weather in my part of the world. Wide swings in temperature, plus punishing storms make for unpredictable living. Two weeks ago I wrote about similar trials in layering inks. After giving the linocut an entire week to dry, I soldiered on, armed with metallic inks.

Tempest Intermezzo
©Elizabeth Busey. Tempest Intermezzo. Reduction linocut on Rives BFK. 14 x 28in image size, edition of 14, $450 unframed.

I first printed a gold layer, which faded as it approached the horizon, over the patchy purple. Thankfully metallic inks are very opaque and tend to cover a multitude of difficulties. Another deeper blue went on the clouds, which did not share the inking problems. But I was concerned that the clouds might not tolerate too many more layers… Continue reading “The completion of a temperamental linocut”

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And the clouds revealed…

Elizabeth Busey. Hope Despite the Evidence.
Linoleum Reduction Print, 17 x 25in, 2013.

In the last post I related the saga of my ruining a block and having to start over. This print is the final result of a new block, new paper and many more hours of carving. On the previous block I carved away those crucial corn stalks that extend over the water. Without them, I don’t think your brain would have been able to make sense of things.

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