How do you talk about something that cannot be reclaimed? Many parts of nature can regenerate over time. Mountains cannot. On a recent plane trip, I came upon the exact topic with which I have been wrestling for the past few months — mountaintop removal (MTR). My latest linocut, No Atonement for Arcadia, imagines a place that is deeply loved and valued by humans, and is in danger of annihilation.
The true cost of MTR
In the Appalachian mountains, most of the coal that is accessible using underground mines has been extracted. Coal companies, in the hunt for low sulfur coal, have turned to MTR. The seams of this coal are thin, necessitating removing 99 meters of other rock to obtain 1 meter of coal. Removal means blasting and hauling rock, and then dumping this material in existing streams. Continue reading “Can art be an effective harbinger?”
This has been a hard week to make art. Printmaking isn’t a media where you can get physical with your materials, like ceramics or painting. Sometimes I wish it was. As I completed all of the mundane tasks that the studio required, I tried to identify the particular things that were nagging at me and causing stress. Honestly, I feel that the in-coming administration is going to be catastrophic for the environment. Our environment is the entire reason for my art…
I don’t want to just make pretty art
I despise the word pretty. As a woman, it feels dismissive and demeaning. Things that are pretty are not important. Just because I do not sling black paint on canvases or incorporate headless torsos into my work doesn’t mean that I create artwork to be purely decorative. The images I select to carefully carve and laboriously print are my interpretations of our most precious gift, the natural world. Trees, mountains, streams, flowers, creatures — all of these things spring up not from our human efforts, but because of this amazing ecosystem into which we were fortunate to be born. Continue reading “Sometimes art gets political”
One of the best things about printmaking is that you can replicate imagery — and it gives you the opportunity to create a collaborative art installation. I did this recently during the Bloomington Open Studios Tour (BOST) when I invited people to print flags. The results look fabulous, and the journey was meaningful as well.