This blog post was delayed by the winter creative blahs. My usual blog writing afternoon found me stretched out on a sunny built-in couch, staring up at bare branches waving in the wind.
Later, another linocut artist trapped in a cold, snowy studio asked on-line: “How do you get through the doldrums?” So whether you are trapped in the snowy northern hemisphere, or the overheated southern, here are my best suggestions for getting through times when you just don’t feel creative.
Doing nothing might be best
Like an athlete, sometimes creative people don’t need to push, but to rest. Perhaps your mind needs rest, in the form of a nap or time spent not thinking about your current creation.
I am always relieved and pleased when I finish something. I’m a devoted list maker, and the black ink mark across a task or goal is tremendously satisfying…
The problem comes the next day or week when I am faced with the proverbial blank canvas. In my case, it is a clean studio, surfaces ink-free, drying rack without a mid-way linocut. The process of thinking of the next work, the next project, feels a little like the doldrums. In maritime use, the doldrums are a place without wind, where a sailor could be trapped for some time. We also think of it as a state of inactivity, of low energy or mild depression.
So like the sailor who is trapped without winds, I begin the process of shaking the sails to try to get moving again. While I blithely write “new series” on Monday’s to-do list, the reality is that it takes some time to come up with new ideas. My ideas lately have been circling around global climate change, especially our country’s willingness to harvest our below-ground energy sources like tar sands, rather than increasing our use of renewable energy. I live in a coal-burning state, so even my time on the computer is emitting carbon dioxide into the atmosphere.
But how to put these noodlings into actual artwork? Sometimes I have to sneak around this problem, so to get my creative brain out of the doldrums, I do experiments.
An experiment thinking about layers. The first two layers came from blend rolls of leftover inks. The current layer was a tinted lemon yellow…