2020 has been dark, so whenever we have bright sunshine, my heart lifts. When a clear day is forecast, I burst into action to capture art from the sun. I quickly sensitize paper in a windowless bathroom with only a 40 watt incandescent bulb to see by. Images are most brilliant when you make your exposures within 24 hours of sensitizing the paper, so planning is critical.Continue reading “Delight (and printing) from the sun”
What do you think of when you see the color blue? To me, it is the color of beginnings — of water and sky. Deep and moody, filled with possibility. My latest monoprint collage is a meditation on blue.
Water figures prominently is creation stories worldwide. At a time when I find myself impatient for progress and peace, both personally and globally, immersing myself in blues has been a calming practice.Continue reading “A study in blues”
I have been creating a vocabulary for my monoprint collages. I use patterned monoprints and vintage maps (some of which I have printed on.) Lately though, I have wanted to use some of my own photographic imagery, and this posed a challenge.
To achieve an integrated look, I choose very thin papers for my collages. Rives BFK, for example, is too thick and has a visible white edge when glued onto a collage. Likewise, photo paper has a similar problem. A solution serendipitously came to me last fall in the form of a cyanotype workshop. Now I would have a way to print imagery on my thin Masa paper. Serendipitous, my latest collage, allows cyanotypes to make their debut.
What is a cyanotype?
Cyanotypes are an old alternative method of printing photographs. The process was discovered by Sir John Herschel in 1842. Briefly, paper is sensitized by a combination of ferric ammonium citrate and potassium ferricyanide. The paper is allowed to dry and kept in darkness. Prints can be made with negatives or actual objects by placing either on top of the paper and exposing it to the sun.
In future blog posts, my learning process with cyanotypes will be explored. For now, you can see two cyanotypes used in Serendipitous — look for the bright Prussian blue papers. What do you see?
Serendipitous will make its own debut at the Indiana Artists juried exhibition at Newfields (formerly the Indianapolis Museum of Art) in April.