Tag Archives: collage

Searching for rhythm and energy

One thing I love about creating monoprint collages is how open-ended the process can be. I print the polycarbonate matrix in particular colors and wait for inspiration to come. A large plate (24 x 36in) was covered in tiny tape (1/16 inch chart tape) and printed with bright citrine green and teal blues. All I could think of was rhythm and energy. After several weeks, Inception emerged. (Be sure to click on the image and scroll down for a close-up. This collage is large!)

large monoprint collage with curves, in bright green and blue

©Elizabeth Busey. Inception. Monoprint collage, 24 x 36 in.

(more…)

Share

With thanks to Eric Carle

I have been appreciating colorful collage papers for decades, thanks in part to Eric Carle. While many famous artists create collages using found images from the greater media world, Eric Carle created his work with papers that he painted. Take a look at your copy (or your child’s copy) of The Very Hungry Caterpillar to see Carle’s genius in the use of pattern and color.

Monoprints on monoprints on monoprints

With the exception of some old road and geological maps, everything I have been using in my monoprint collages comes from a monoprint itself. The image below shows a detail of a 24 x 36 inch monoprint collage I have been working on. With my exacto knife in one hand, and my paintbrush with matte medium in the other, small squares of other monoprints become part of a larger work.

Detail of a large monoprint collage.

Detail of a large monoprint collage.

(more…)

Share

Tiny tape makes it debut

This week tiny tape makes it debut in my creation of monoprint collages. I used black 1/16 inch chart tape from Dick Blick and was pleasantly surprised at how well the tape behaved. To make sure the tape sticks well, I always clean the plate with denatured alcohol to remove any grease before taping. I also run the taped uninked plate through the press with several layers of newsprint to make sure everything stays stuck down. (more…)

Share

Trying Something New is Necessary

For creative people, trying something new can be absolutely necessary. And tremendously difficult. Perhaps you are one who can keep creating similar works with similar themes, but I am not. Following my “what if” questions down rabbit holes is what keeps me creating artwork instead of more regular and lucrative endeavors.

When to ignore that voice

I have had several conversations with artists lately who mention a new direction, but then quickly follow this with “but it is not what I DO.” This is one of the comments that I try to reject when it comes up in my subconscious, and this summer it has been a frequent visitor…

If you had met me up until July of this year, I would have told you that I was a printmaker who made large-scale linocut reductions. Period. I have occasionally printed on stained silk, all the while wondering if this was “allowed.” Part of this thinking comes from the rules and regulations of shows and festivals. I understand the need for boundaries, but mostly I think these constraints lead to limited art.

Following the idea no matter what…

I remember my first day at a monoprinting workshop at Penland School of Crafts where I told a fellow classmate that I just didn’t understand collage. It wasn’t what I do… A few days later, I felt compelled to collage elements onto a monoprint I had created that didn’t feel finished. Silencing my “rules” voice, I began and haven’t looked back. Now I can’t wait to get back to my latest monoprint collage. My drawing table in the main room of our home is continually surrounded by bits of cut paper. Thankfully my family is tolerant, and the cats love sitting on the papers.

Paper cut out shapes

Cut-outs of the cut-outs waiting to be included in some new creation.

What is something that you are dying to try? Do you have a voice that says, for example — “no I’m a painter, I don’t work three dimensionally?”

Thanks Henri!

I visited the National Gallery of Art’s East Wing (Washington, DC) recently and was delighted to find that the tower with Henri Matisse’s paper cut-outs was open. (The tower has limited hours in the middle of the day to protect the paper, but is well worth planning to see.) I have visited Matisse’s works since the museum opened in 1973. I even had a reproduction of Large Decoration with Masks (Henri Matisse, 1953) on my childhood bedroom wall.

Henri Matisse Large Decoration with Masks

Henri Matisse. Large Decoration with Masks. Gouache on paper, cut and pasted on white paper, mounted on canvas, 1953. National Gallery of Art, East Wing, Washington DC.

Matisse was a painter and sculptor throughout the majority of his life. He did use paper cut-outs as templates for larger scenery commissions, but it was after a cancer surgery in 1941 that he fully embraced paper cut-outs as a complete art form. Imagine how he must have felt to be confined to bed or a chair, unable to physically do the work that had defined his life. Under his direction, assistants created brightly-hued gouache-covered papers that he then cut into the shapes that are now so obviously his. Little did I know that forty-five years after seeing his cut-outs, I would give myself permission to create with paper myself.

Thankfully, Matisse ignored whatever critical voices he might have had (from himself or others.)

Is there something that has been calling you?
Why not just do it? Share it with us as a comment!
It may make all the difference.

Share

Monoprints as an Homage to Chagall

I first experienced Marc Chagall’s stained glass windows at the Church of St. Stephan in Mainz, Germany. (Read more about these windows here.) I love the energetic quality of Chagall’s work that seems to draw you — almost physically — into his world.

I created a spiraling monoprint matrix with 1/8 inch painter’s tape, and set out to see where my monoprinting would take me. The following suite of monoprint collages were created with Chagall’s energy and love of color in mind.

Monoprint collage Jubilant Expanse

©Elizabeth Busey. Jubilant Expanse. Monoprint collage (unique). 24 x 18 in.

Jubilant Expanse

(more…)

Share

Variations on a Monoprint Theme

Don’t ever miss a post! Sign up here for a monthly newsletter digest of my blog posts along with news of upcoming events. Your information will never be shared.

A true monoprint is unique. But coming up with a new idea for each monoprint can be exhausting! So I have used my painter’s tape technique to create variations on a monoprint theme. I hope the traditionalists in the printmaking world will forgive me.

One of my latest variations uses a landscape/perspective matrix, with similar colors but different techniques. Images may help me explain…

Solvent drops and a view from an airplane

©Elizabeth Busey. Boulder to Birmingham. Monoprint collage (unique). 18 x 24in.

©Elizabeth Busey. Boulder to Birmingham. Monoprint collage (unique). 18 x 24in.

Boulder to Birmingham (title inspired by the classic Emmy Lou Harris song) considers an imaginary view from an airplane. I used translucent Thai Unryu paper to create the illusion of a curved airplane window. The cloud-like papers were a ghost print from an earlier monoprint. Ghost prints are made when you print the plate again without re-inking. I use thin Masa (mulberry) paper because it has a smooth texture and captures lots of ink while being thin enough to collage. The spots on the surface — are they raindrops? — were created by solvent. (more…)

Share

Adventures in painters tape Part 1

My adventures with painter’s tape continued during my time in a monoprinting workshop at Penland School of Crafts.  I should probably mention that monoprinting usually uses a plate with no matrix. No etched plate, no carved linoleum or wood block, no collagraph. Nothing repeatable.

I just had to have a matrix

Yet I felt compelled to try out my new tool by creating a matrix. My intention was to create the matrix, roll out the ink and then remove the tape. I eventually did this, thus destroying the matrix before I could take a picture of it. Here’s what a new matrix looks like, with both 1/4 inch tape and 1/8 in tape. You can see some ink residue on the tape even after it has been cleaned. (more…)

Share

Where do you hide your experiments?

I sometimes wish I was a painter. There are efforts throughout the year where artists create a painting a day. What that must be like — the potential to experiment with a new idea each day! I am usually wedded to an artistic idea for quite a while. Some end up in frames, and others lie quietly in a drawer, silently mocking me.

The challenge of trying something new

img_4108

I cut some linocuts into one inch squares, finally aided by a scrapbooking punch.

I crave novelty, especially when I have just finished something large and demanding. I had been feeling this way after framing my large linocuts, Breath of Hermes and Summertide Brings the Derecho. My spoiled linocuts had been used in a project to create eight-pointed stars, and my brain wanted to pursue this idea further. I decided to cut some of these linocuts into small squares and experiment with some collage in an homage to Chuck Close.

My first realization was that it is quite difficult to cut perfect one-inch squares. So I ventured into a craft store and found a scrapbook punch that make quick of work of my scrap linocuts. Suddenly I had a quite a palette of color.

The joy of taking things apart

In my style of printmaking, there is no going backwards — only forwards. So I delighted in the ability to try different things with these squares…

img_4109

First I put the squares flowing from color to color….

experimental-friday

I posted this on Instagram during an Experimental Friday.

Then I chose a pattern from the center, working outward. After making my commitment, I glued everything down to a cradled board and covered it with a few layers of self-leveling gel medium. Turns out that this medium is not completely flat like a resin, but was certainly adequate for my experiment.

What do you do with your experiments?

Now I was left with this lighthearted creation that I was pleased with. But I had no burning desire to venture into the world of collage. My 12-inch square creation was propped in my studio for a few weeks, until a fit of home-change overtook me.

bathroom-art

We have the world’s smallest master bathroom which has never had artwork in the over twenty years we have used it. So I took nails and a hammer, and hung it! Because the work is coated with acrylic gel medium, it should resist the steamy conditions. It is the perfect hiding place for a fun experiment. Now back to another cloud linocut… and some more experiments.

What do you do with your experiments?

Share

Before you go … let’s stay connected.
Sign up for my monthly newsletter.



Before you go…let’s stay connected.
Sign up to receive my monthly newsletter.