Playing the waiting game

I’m a big fan of the montage — a device in movies used to move the story along. The characters grow, change and learn, all while accompanied by a great soundtrack. I need this for my studio. I am back printing my large (25 x 40 inch block) linocut, and patience has been required at every turn.

waiting game
My latest linocut, hanging to dry after a trying printing session.

My image is a large cloud formation, over a small area of flat land. I couldn’t decide whether this was summer or autumn land, so I did some of each. With such a large block, I would hate to guess wrong. I used a frisket (or a mask for non-printers) to help me lay down some of the bright colors of the land which will contrast with the darker, more monochromatic clouds. This is not an exact process, as I discovered when I printed the first layer of blue. My measurements must have been off, because it overlapped the land in a small band!

My initial reaction was to try and carve away a thin strip or linoleum, but this a dangerous operation. I could carve away too much, and would then be left with an inexplicable slice of exposed white paper. Like a very itchy insect bite, I had to tell myself, don’t touch! This area will be covered by the darkest ink anyway.

More problems came as I printed the first and second layers of transparent blue. There is something about the combination of lots of transparent base and just a touch of pigment that leads to a gummy residue on the block. After every four prints, I had to clean off the block to prevent this residue pattern from transferring onto my paper. I have found that the first transparent layers of a linocut often look terrible, but are incorporated into later layers with no trouble. Again — don’t touch and don’t fret!

Wouldn’t a fast forward button and a great soundtrack be perfect right now?

2 Replies to “Playing the waiting game”

  1. Hi Elizabeth,
    I like your sentiment of not touching and not fretting! I’m sure it has to do with trusting yourself and your tools and materials but I know it is hard.
    Please tell me, what transparent base do you use? I have tried several and am still not sure which is best. I do certainly like the results that you get!
    Best regards

    1. Hi Phil,

      Right now I am using Gamblin’s transparent base along with their inks. I’m not thrilled with this mysterious build up I’m getting though. I used to use Hanco, but I found that my transparent blues turned green over time! I might give Sennelier a try this fall. Happy Printing, Elizabeth

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