How it all goes together

One of the delights of this year’s Open Studios for me was being able to show people just how my monoprint collages go together. I would love to have a stop action video that shows the entire creation process, but the reality is that I am usually in the zone, and forget to start cameras, take images, etc.

I began a monoprint collage just before people arrived at my studio… Here is the work when finished. Follow along below to see some process photos and see if all makes sense to you.

©Elizabeth Busey. Cosmic Schema, Monoprint collage, 12 x 12in

The final work is an exploration of blues, punctuated by several warmer colors. I was delighted with the glow of the orange and chartreuse polygons.

A quick demo is needed

A few random pieces for a demonstration…

I was running late and quickly chose a map and two monoprints to use in my process explanation. I could show people the tracing paper I use to cut out the pieces, and how a few look when glued to the monoprint matrix paper.

Thankfully all these pieces are glued down. Gingersnap has just jumped up to say that it is dinner time.

After the Open Studios, I challenged myself to complete this monoprint collage. I expanded my palette to include a great street map of Boston, European driving maps and several atmospheric blue monoprints. I stepped back and felt like the work did not feel finished. There seemed to be an imbalance…

Cyanotypes to the rescue (again)

I had some practice cyanotypes, made from images that I took. When used on this work, the cyanotypes (which are usually thought of as greenish blue, look almost purply. I collaged them into the polygons that I had kept blank, and the work came together.

Scroll back up and see if you can find the cyanotypes.

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