In creating art, sometimes the materials dictate the direction of the work. In my latest linocut of rhythmic altocumulus undulatus clouds, my vision was for a glowing orange sky. I did not see the entire work as orange, but rather transitioning to some sort of blue. Herein lay the challenge and the realization that I was not in control.
One color determines the next
Even when I mixed my purply blue with some white, when I printed over my orange, I got a teal. But as I stared and pondered my perceived problem, I was reminded of the colors of my mother’s opal ring… colors that I enjoy.
So I decided to keep the teal green skies — as I had no choice in the matter. If Toulouse Lautrec can give people green faces, or Marc Chagall can make blue horses fly, why couldn’t I have green clouds?
Green clouds actually do exist
When I am printing blend rolls in my clouds, I am fastidious in preventing the yellows and the blues from mixing. This would usually result in a strange spring green. But my blueish green clouds are actually a real weather phenomenon. Meteorologists disagree about the causes of these green clouds. Some hypothesize that it is the result of sunlight refracting through hail in the clouds. Others suggest that it is the leading yellow sunlight shining on storm clouds. Sometimes green clouds are seen with severe weather, and sometimes not.
For now, I will embrace the opalescent teals of these clouds and print a few more layers to complete the work. It is spring in the midwestern United States, so I will also be listening for the sirens and looking for green clouds.