Category Archives: Collage

Making art that does not fit on a cell phone

What do you do when what you create does not look its best on a cell phone? I have been struggling with this question ever since I wanted to post my first monoprint collage. Take a look at my latest monoprint collage, Benediction for an Unlikely Journey and I will explain.

©Elizabeth Busey. Benediction for an Unlikely Journey, monoprint collage, 18 x 24in.

I am drawn to small details and want to see how the compilation of details creates an energetic, continually interesting whole. I cut details out of monoprints I have created and maps on which I sometimes print colors. When people take a look at my work in person, they first come close to see all of the details, and then back up to see the work as a whole. I find these dual ways of enjoying artwork means my imagery that doesn’t get boring.

Sadly, many of the people who see my work will never see it in person. It is largest when the image is clicked on through my website. I also post it on Instagram and Facebook. Imagine how tiny the image becomes when viewed in the Facebook platform on a small cell phone. The details are completely lost. Does this make a difference?

Getting up close and personal

Detail of Benediction for an Unlikely Journey.

To counter the problem of the tiny screen, I have started including details in my social media posts and even on the webpage of the work. I’m hoping that between the two images, viewers can get a clearer idea of the work despite the problems of scale. It takes some work on their part, however…

Making the art feel at home

Benediction for an Unlikely Journey in my living room.

In my quest for image clarity, I created an in situ photograph of the work. I popped the collage into the frame matted, but without the glass to avoid reflections. Now people can see the scale of the work and how the details read from a few feet away.

Will all of these images help with the problem of the tiny screen? It will probably be some time before I know if it is a reasonable substitute to visiting the work on my living room wall.

Share

Searching for rhythm and energy

One thing I love about creating monoprint collages is how open-ended the process can be. I print the polycarbonate matrix in particular colors and wait for inspiration to come. A large plate (24 x 36in) was covered in tiny tape (1/16 inch chart tape) and printed with bright citrine green and teal blues. All I could think of was rhythm and energy. After several weeks, Inception emerged. (Be sure to click on the image and scroll down for a close-up. This collage is large!)

large monoprint collage with curves, in bright green and blue

©Elizabeth Busey. Inception. Monoprint collage, 24 x 36 in.

(more…)

Share

With thanks to Eric Carle

I have been appreciating colorful collage papers for decades, thanks in part to Eric Carle. While many famous artists create collages using found images from the greater media world, Eric Carle created his work with papers that he painted. Take a look at your copy (or your child’s copy) of The Very Hungry Caterpillar to see Carle’s genius in the use of pattern and color.

Monoprints on monoprints on monoprints

With the exception of some old road and geological maps, everything I have been using in my monoprint collages comes from a monoprint itself. The image below shows a detail of a 24 x 36 inch monoprint collage I have been working on. With my exacto knife in one hand, and my paintbrush with matte medium in the other, small squares of other monoprints become part of a larger work.

Detail of a large monoprint collage.

Detail of a large monoprint collage.

(more…)

Share

Tiny tape makes it debut

This week tiny tape makes it debut in my creation of monoprint collages. I used black 1/16 inch chart tape from Dick Blick and was pleasantly surprised at how well the tape behaved. To make sure the tape sticks well, I always clean the plate with denatured alcohol to remove any grease before taping. I also run the taped uninked plate through the press with several layers of newsprint to make sure everything stays stuck down. (more…)

Share

Trying Something New is Necessary

For creative people, trying something new can be absolutely necessary. And tremendously difficult. Perhaps you are one who can keep creating similar works with similar themes, but I am not. Following my “what if” questions down rabbit holes is what keeps me creating artwork instead of more regular and lucrative endeavors.

When to ignore that voice

I have had several conversations with artists lately who mention a new direction, but then quickly follow this with “but it is not what I DO.” This is one of the comments that I try to reject when it comes up in my subconscious, and this summer it has been a frequent visitor…

If you had met me up until July of this year, I would have told you that I was a printmaker who made large-scale linocut reductions. Period. I have occasionally printed on stained silk, all the while wondering if this was “allowed.” Part of this thinking comes from the rules and regulations of shows and festivals. I understand the need for boundaries, but mostly I think these constraints lead to limited art.

Following the idea no matter what…

I remember my first day at a monoprinting workshop at Penland School of Crafts where I told a fellow classmate that I just didn’t understand collage. It wasn’t what I do… A few days later, I felt compelled to collage elements onto a monoprint I had created that didn’t feel finished. Silencing my “rules” voice, I began and haven’t looked back. Now I can’t wait to get back to my latest monoprint collage. My drawing table in the main room of our home is continually surrounded by bits of cut paper. Thankfully my family is tolerant, and the cats love sitting on the papers.

Paper cut out shapes

Cut-outs of the cut-outs waiting to be included in some new creation.

What is something that you are dying to try? Do you have a voice that says, for example — “no I’m a painter, I don’t work three dimensionally?”

Thanks Henri!

I visited the National Gallery of Art’s East Wing (Washington, DC) recently and was delighted to find that the tower with Henri Matisse’s paper cut-outs was open. (The tower has limited hours in the middle of the day to protect the paper, but is well worth planning to see.) I have visited Matisse’s works since the museum opened in 1973. I even had a reproduction of Large Decoration with Masks (Henri Matisse, 1953) on my childhood bedroom wall.

Henri Matisse Large Decoration with Masks

Henri Matisse. Large Decoration with Masks. Gouache on paper, cut and pasted on white paper, mounted on canvas, 1953. National Gallery of Art, East Wing, Washington DC.

Matisse was a painter and sculptor throughout the majority of his life. He did use paper cut-outs as templates for larger scenery commissions, but it was after a cancer surgery in 1941 that he fully embraced paper cut-outs as a complete art form. Imagine how he must have felt to be confined to bed or a chair, unable to physically do the work that had defined his life. Under his direction, assistants created brightly-hued gouache-covered papers that he then cut into the shapes that are now so obviously his. Little did I know that forty-five years after seeing his cut-outs, I would give myself permission to create with paper myself.

Thankfully, Matisse ignored whatever critical voices he might have had (from himself or others.)

Is there something that has been calling you?
Why not just do it? Share it with us as a comment!
It may make all the difference.

Share

Monoprints as an Homage to Chagall

I first experienced Marc Chagall’s stained glass windows at the Church of St. Stephan in Mainz, Germany. (Read more about these windows here.) I love the energetic quality of Chagall’s work that seems to draw you — almost physically — into his world.

I created a spiraling monoprint matrix with 1/8 inch painter’s tape, and set out to see where my monoprinting would take me. The following suite of monoprint collages were created with Chagall’s energy and love of color in mind.

Monoprint collage Jubilant Expanse

©Elizabeth Busey. Jubilant Expanse. Monoprint collage (unique). 24 x 18 in.

Jubilant Expanse

(more…)

Share

Variations on a Monoprint Theme

Don’t ever miss a post! Sign up here for a monthly newsletter digest of my blog posts along with news of upcoming events. Your information will never be shared.

A true monoprint is unique. But coming up with a new idea for each monoprint can be exhausting! So I have used my painter’s tape technique to create variations on a monoprint theme. I hope the traditionalists in the printmaking world will forgive me.

One of my latest variations uses a landscape/perspective matrix, with similar colors but different techniques. Images may help me explain…

Solvent drops and a view from an airplane

©Elizabeth Busey. Boulder to Birmingham. Monoprint collage (unique). 18 x 24in.

©Elizabeth Busey. Boulder to Birmingham. Monoprint collage (unique). 18 x 24in.

Boulder to Birmingham (title inspired by the classic Emmy Lou Harris song) considers an imaginary view from an airplane. I used translucent Thai Unryu paper to create the illusion of a curved airplane window. The cloud-like papers were a ghost print from an earlier monoprint. Ghost prints are made when you print the plate again without re-inking. I use thin Masa (mulberry) paper because it has a smooth texture and captures lots of ink while being thin enough to collage. The spots on the surface — are they raindrops? — were created by solvent. (more…)

Share

Before you go … let’s stay connected.
Sign up for my monthly newsletter.



Before you go…let’s stay connected.
Sign up to receive my monthly newsletter.