A study in blues

What do you think of when you see the color blue? To me, it is the color of beginnings — of water and sky. Deep and moody, filled with possibility. My latest monoprint collage is a meditation on blue.

©Elizabeth Busey. Emanation. Monoprint collage, 18 x 18in.

Water figures prominently is creation stories worldwide. At a time when I find myself impatient for progress and peace, both personally and globally, immersing myself in blues has been a calming practice.

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Printmakers love to collaborate

I usually work by myself in my home studio. Collaboration is difficult as my cats simply are not that motivated. During my recent workshop at Penland School of Craft I had several opportunities to collaborate with other artists. I found it to be both delightful and challenging.

The workshop was led by April Flanders, a professor at Appalachian State University, who creates large-scale installations using paper and printmaking. We also had a vastly qualified studio assistant in Lauren Kussro, who is a professor of art at the University of Houston-Clear Lake. Both artists encouraged us to find ways to collaborate, seeing how the imagery of one person could compliment that of others.

Collaboration One with consummate printmaker and paper artist Lauren Kussro.
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The Delight of Learning Something New

Here are some snapshots of some of the new things I learned during my workshop at Penland School of Craft this summer. The class was filled with ideas of how you could push printmaking beyond the traditional. Rather than creating one finished idea, I spend much of my time trying things that were novel to me, and following ideas down rabbit holes…

Learning to cut rubylith film to make stencils. The red part blocks UV light and doesn’t allow the emulsion on the screen to harden. You wash this part out, and then ink is printed through the screen.
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What do you take to a workshop?

I’m about to depart for another workshop at Penland School of Craft. I went to a monoprinting workshop last summer with Andy Rubin, and it was transformative. This year’s workshop is with April Flanders entitled Singular Prints and Alternative Presentations.

The workshop promises to work with monotypes and screen printing, plus explore unusual ways of presenting the work — installations, sculptural prints and shadow boxes. Plus new techniques (to me) including paper cutting and sewing. With such an open-ended agenda, I’m tempted to bring everything from my studio — just in case. Restraint has prevailed, so here is what I’m taking to the workshop.

Tools to move ink around. The studio does have brayers and ink knives, but sometimes it is great to have several to yourself!
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Changing courses, rivers and life

It has finally stopped raining in the Ohio River Valley. Until a week ago, constant rain and heavy storms caused flooding in places that are nowhere near a river. Lake Monroe, built in the 1960s by the Army Corps of Engineers for flood control, is doing its job. It is 13 feet about normal levels. Water is relentless.

The meandering river in this monoprint collage is inspired by the many rivers around me that carve and re-carve their path. The Wabash River to the west of me actually changed its course so significantly that it greatly affected residents in both Illinois and Indiana. Few things have this kind of power to effect change on our landscape so dramatically.

©Elizabeth Busey. Riparian Perseverance. Monoprint collage, 18 x 24in.
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Your vacation pictures say a great deal about you

I’m not sure if this a true Fiboancci structured plant or not…

The pictures you take on vacation say a great deal about you. What are you interested in? What do you want to remember? My phone isn’t filled with the traditional sites, but rather with patterns and shapes I want to remember. A recent long weekend trip to Chicago yielded no “Bean” pictures; instead I focused my lens on patterns…

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How it all goes together

One of the delights of this year’s Open Studios for me was being able to show people just how my monoprint collages go together. I would love to have a stop action video that shows the entire creation process, but the reality is that I am usually in the zone, and forget to start cameras, take images, etc.

I began a monoprint collage just before people arrived at my studio… Here is the work when finished. Follow along below to see some process photos and see if all makes sense to you.

©Elizabeth Busey. Cosmic Schema, Monoprint collage, 12 x 12in
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Open Studios — in case you missed it

Opening my studio is one of the best parts of making art. As a member of the Bloomington Open Studios Tour collaborative, I open my studio to guests once a year. In case you missed it, here are some highlights. A very special THANK YOU to painter Dawn Adams, who took these images.

Mary Uthuppuru and guests having way too much fun.

My studio is in my home, a vintage 1976 four-level home. We transform our living room to a gallery space. This year I was joined by printmaker and book artist Mary Uthuppuru. The inclusion of 3D work and her infectious enthusiasm was a valuable addition to the weekend.

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