What do you think of when you see the color blue? To me, it is the color of beginnings — of water and sky. Deep and moody, filled with possibility. My latest monoprint collage is a meditation on blue.
Water figures prominently is creation stories worldwide. At a time when I find myself impatient for progress and peace, both personally and globally, immersing myself in blues has been a calming practice.
I usually work by myself in my home studio. Collaboration is difficult as my cats simply are not that motivated. During my recent workshop at Penland School of Craft I had several opportunities to collaborate with other artists. I found it to be both delightful and challenging.
The workshop was led by April Flanders, a professor at Appalachian State University, who creates large-scale installations using paper and printmaking. We also had a vastly qualified studio assistant in Lauren Kussro, who is a professor of art at the University of Houston-Clear Lake. Both artists encouraged us to find ways to collaborate, seeing how the imagery of one person could compliment that of others.
Here are some snapshots of some of the new things I learned during my workshop at Penland School of Craft this summer. The class was filled with ideas of how you could push printmaking beyond the traditional. Rather than creating one finished idea, I spend much of my time trying things that were novel to me, and following ideas down rabbit holes…
I’m about to depart for another workshop at Penland School of Craft. I went to a monoprinting workshop last summer with Andy Rubin, and it was transformative. This year’s workshop is with April Flanders entitled Singular Prints and Alternative Presentations.
The workshop promises to work with monotypes and screen printing, plus explore unusual ways of presenting the work — installations, sculptural prints and shadow boxes. Plus new techniques (to me) including paper cutting and sewing. With such an open-ended agenda, I’m tempted to bring everything from my studio — just in case. Restraint has prevailed, so here is what I’m taking to the workshop.
It has finally stopped raining in the Ohio River Valley. Until a week ago, constant rain and heavy storms caused flooding in places that are nowhere near a river. Lake Monroe, built in the 1960s by the Army Corps of Engineers for flood control, is doing its job. It is 13 feet about normal levels. Water is relentless.
The pictures you take on vacation say a great deal about you. What are you interested in? What do you want to remember? My phone isn’t filled with the traditional sites, but rather with patterns and shapes I want to remember. A recent long weekend trip to Chicago yielded no “Bean” pictures; instead I focused my lens on patterns…
One of the delights of this year’s Open Studios for me was being able to show people just how my monoprint collages go together. I would love to have a stop action video that shows the entire creation process, but the reality is that I am usually in the zone, and forget to start cameras, take images, etc.
I began a monoprint collage just before people arrived at my studio… Here is the work when finished. Follow along below to see some process photos and see if all makes sense to you.
Opening my studio is one of the best parts of making art. As a member of the Bloomington Open Studios Tour collaborative, I open my studio to guests once a year. In case you missed it, here are some highlights. A very special THANK YOU to painter Dawn Adams, who took these images.
My studio is in my home, a vintage 1976 four-level home. We transform our living room to a gallery space. This year I was joined by printmaker and book artist Mary Uthuppuru. The inclusion of 3D work and her infectious enthusiasm was a valuable addition to the weekend.
Please note: This blog post has nothing to do with the U.S. 2016 presidential election nor the 2018 Saints – Rams NFL division championship. It has to do with interference of light waves, and how this is seen in art and nature. Have I lost you yet? Do read on…
You can always tell an artist. We are the people who have our noses inches from a work of art with the security guard rushing in to restrain us. We just like to know the “how” of creating. Often we cannot discern the artist’s secrets… In this blog, I’ve revealed one of the ways I keep track of my patterns — tracing paper.